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paperimages: James Gleeson, We Inhabit the Corrosive Littoral of Habit, 1940. Oil on canvas. National Gallery of Victoria. This painting has also been incorrectly attributed to Salvador Dali.

thunderstruck9: David Noonan (Australian, b. 1969), Untitled (Owl from Waldhaus), 2002. Oil on canvas, 35.8 × 28.0 cm. National Gallery of Victoria. via artistsanimals

archatlas: escher x nendo | between two worldsPopularly known as the NGV, the National Gallery of Victoria in Melbourne presents a groundbreaking exhibition that features the work of Dutch artist MC Escher in dialogue with the work of acclaimed Japanese

John Linnell (Bloomsbury, London, 1792 - Redhill, Surrey, 1882); Wheat, 1860; oil on canvas, 140 x 94 cm; National Gallery of Victoria, Melbourne

artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable

blastedheath: Glynn Philpot (British, 1884-1937) Study for La Zaragoza c. 1910. Oil on canvas. National Gallery of Victoria, Melbourne

blastedheath: George Lambert (Australian, 1873-1930), William Alison Russell Esq. 1910. Oil on canvas, 127.7 x 102.2 cm. National Gallery of Victoria, Melbourne.

fripperiesandfobs:Evening dress ca. 1925 From the National Gallery of Victoria@quelloras: “If I made this, would you bother wearing it?” Jayy tips his head at her inquiringly.

quelloras: writingjustforgiggles: fripperiesandfobs: Evening dress ca. 1925 From the National Gallery of Victoria @quelloras: “If I made this, would you bother wearing it?” Jayy tips his head at her inquiringly. Gallaria looked down at the

a-l-ancien-regime: Self-portrait, by Joseph Wright of Derby (Detail) 1765-68(National Gallery of Victoria, Aus)

thisblueboy: Johan Zoffany (German, 1733-1810), Self-portrait as David with the Head of Goliath, 1756, National Gallery of Victoria, Melbourne

Reminds me of my favourite work of art in the National Gallery of Victoria - Cabbage tureen 💚https://www.ngv.vic.gov.au/explore/collection/work/100180/

design-is-fine: Margaret Preston, Wheel Flower – Stenocarpus, 1929. Hand-coloured woodcut. National Gallery of Victoria, Melbourne. © Margaret Preston / Licensed by VISCOPY, SydneyPreston was a prominent and vocal figure within the contemporary art

andrejapejicpage: Andreja Pejic at the National Gallery of Victoria in Melbourne http://www.dailymail.co.uk/tvshowbiz/article-2795127/model-andreja-pejic-cuddles-jean-paul-gaultier-new-exhibition-public-appearance-transitioning-woman.html Photos: Daily

My Valentine’s day with mon soleil, ma lune et toutes mes étoiles.@slendershadow1 Thank you for spending the day letting me fawn over century old paintings. It was beautiful, just like you. 💖

contemporary-art-blog: Ron Mueck, 100 sculpted skulls, The national gallery of Victoria, Australia

didoofcarthage: Detail from The Vintage Festival by Sir Lawrence Alma-Tadema 1871 oil on wood panel National Gallery of Victoria

twixnmix: Keith Haring painting the National Gallery of Victoria mural in Australia, February 1984. In 1984 during a three week visit to Australia, New York artist, Keith Haring, undertook a number of public art events. The artist’s willingness to

books0977: Woman Reading (c.1915). Agnes Goodsir (Australian, 1865-1939). Oil on canvas. National Gallery of Victoria, Melbourne. Cherry Dunn, an American friend, became Agnes’ artist’s model, lover and the dominant subject of later works. Cherry

netlex: Eugène Atget (France 1857-1927) Eclipse 1911, printed 1956- early 1970s Gelatin silver photograph National Gallery of Victoria

a-l-ancien-regime: Self-portrait, by Joseph Wright of Derby (Detail) 1765-68(National Gallery of Victoria, Aus)

paperimages: James Gleeson, We Inhabit the Corrosive Littoral of Habit, 1940. Oil on canvas. National Gallery of Victoria. This painting has also been incorrectly attributed to Salvador Dali. Surrealism is the bombbbb ohmygod

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